Thursday, August 21, 2008

Radio

I just heard on NPR's All Things Considered a letter from a listener. One line was, "It's not every day we hear our favorite band on the radio." I think that just about says all that needs to be said about American radio.


But I'm not the type to stop at "all that needs to be said," am I?

If American radio were any good, most people would be able to say they hear their favorite band(s) regularly on the radio. I am sure (going out on a limb here as I have no poll results to draw on) that amongst people who consider themselves music fans you will find very few who listen to music on the radio at all.

If you exclude the truly rich radio environments like New York, Atlanta, L.A., etc., and look at all the rest of the country you will find the music that is locally available is homogeneous and extremely limited. This means most Americans who are really into music will never hear their favorite band on the radio. All Americans everywhere can hear the vapid crap the music industry is marketing at us but few Americans can hear anything else... on their radio.

I'm a fan of radio. I think radio can be amazing. But I know that variety in radio is a thing of the past for those of us outside the major metropolitan areas. We have to move to our iPods and satellite radio but this removes that amazing touch of having this other person playing music for us.

I can remember listening to the FM radio late at night in the middle of nowhere in far eastern Kentucky and hearing some guy playing me some records he liked, and then tuning around on AM and hearing the voices of djs in Chicago, Nashville, Memphis, and New Orleans. The strange blasts of Mexican radio. Now we have the same Clear Channel stations everywhere we go. If you're in the middle of Kansas you're going to hear the same thing you'll hear in the middle of Kentucky or anywhere else more than 50 miles from a big city. There was a time when those music stations would've been locally owned and operated by people who were playing music for the people around them. Now the music is a carefully manipulated blend of nauseating crap that the dinosaur music industry in this country understands how to "market."

There was a time when a song would be released, and hundreds if not thousands of djs would decide whether or not they were going to play it and then tens if not hundreds of thousands of listeners would call in and asked to hear it again and that's how a hit became a hit. Now the record companies ship a million copies of a song, negotiate with Clear Channel and its competitor(s) for "rotation" and "number of plays" and voila, you've got a number one single. The thing the record industry doesn't get: A hit is now meaningless.

I am developing a long screed about the fact that marketing as a business is the parasite that is killing its host. Look for it.

2 comments:

John M. said...

When I was a kid, KDKA and a few other AM stations in Pittsburgh used to play acts like David Bowie, Yes, Lou Reed and Led Zeppelin, to name a few. Late night was when you could pick up those old stations that played all that weird 50s and 60s stuff. Then the first FM stations came along and they played even more obscure rock like Zappa and whatnot. Radio was far more eclectic back then.

When I lived in Ohio in the '70s there were two stations out of Cleveland that played music that was somewhat edgier, like Devo, The Tubes and The Clash as well as the stuff like Thin Lizzy, Zeppelin and Bob Marley, all mashed together.

One of the stations was called The Buzzard, the other was called The Wizard. The Wizard stayed edgy but The Buzzard moved into stuff like Bruce Springsteen and other pop bands that I loathed. The Buzzard was so successful, that it became the model for "format radio" that emerged in the 1980s. It was all down the poop-chute from there.

It's because of that one station that we can find the same type of station at the same number on any radio in any city in America.

In the '80s, college radio ruled my world. There was a station I listened to called WRPI, out of Troy, NY that turned me on to all sorts of amazing stuff like Fripp, Eno, The Dead Kennedys, Throbbing Gristle and Grandmaster Flash.

Now, all I can stand on the radio is jazz and classical. Occasionally, I can handle the classic rock station, in small doses. Since there's no college radio station worth a crap here in Sav., that's about it. The Savannah St. station plays some decent jazz and blues late at night.

Radio sucks balls these days. Has for a while. Maybe as it becomes less and less corporately feasible, some enterprising folks with good and eclectic tastes will get something going. Sad to say the waves are still dominated by awful pop and conservative talk.

I find all my music on the internet.

Alan (Evil) Miller said...

When I drive through Atlanta I'm always amazed at the college stations. There are at least four independent stations playing a wide variety from techno to rap to indie rock. The idea of being able to tune around the radio dial and find several different stations worth listening to kind of makes my heart ache because we sure as shit don't have that in Louisville. Our public station is strictly "adult album alternative" and they actually advertise that they play John Fogerty. The only station I enjoy listening to here is from a high school in Indiana!

Little shout out here to New Orleans radio. WTOL, WWOZ, WBYU, etc. are always interesting. Late at night I can sometimes pick up trucker radio on WWL 870AM, a show that actually plays good country music as opposed to the contrived shit that comes out of Nashville.